TURN OF THE
SCREW
DIE SIEBEN
TODSÜNDEN
COLD
MOUNTAIN
DIALOGUES DES CARMÉLITES
MAGDALENA KUŹMA
LATEST UPDATES FROM
MAGDALENA
MEROLA OPERA 2020 ARTIST
As one of 23 singers selected from a global pool of 1,000 international artists, Kuźma looks forward to summer as a vocal fellow with Merola Opera.
YALE 2020-2022
After a rewarding audition season, Ms. Kuźma has committed to Yale University's School of Music to further her graduate studies.
HOUSTON GRAND OPERA: YAVA 2020 ARTIST
Magdalena was selected as one of 16 singers to partake in Houston Grand Opera's prestigious Young Artists Vocal Academy.
No Word from Tom
No Word from Tom
Late Summer by Tom Cipullo | Magdalena Kuźma
RSMI: Master Class with James Conlon
RSMI: Program for Voice IV
MEROLA OPERA PROGRAM
2020 Young Artist
As one of 23 singers selected from a global pool of 1,000 international artists, Magdalena has been named a young artist at the world-renowned Merola Opera Program.
"The Merola Opera Program is widely regarded as the foremost opera training program for aspiring singers, coaches, accompanists, and stage directors. Merola nurtures the opera stars of tomorrow and offers outreach through educational programs for students and the general public."
CARNEGIE HALL: Citywide Recital Series
Magdalena Kuźma and pianist Nate Raskin collaborate together to bring a classical recital spanning various themes and periods- with a focus on lesser performed contemporary works.
"Carnegie Hall is honored to partner with local community organizations to present free concerts that are sensational celebrations of sounds from across the country and around the globe. At a Carnegie Hall Citywide concert, you can revisit your favorite music or try something new, stay in your home borough or journey farther afield. Whatever you choose, you’ll experience everything that makes New York City so vibrant."
Music Academy of the West Revisits Civil War Odyssey with Opera 'Cold Mountain'
"All vocals were strong, clear and ear-pleasing, with nary a soprano squeak at the top of the range nor splashy pyrotechnics on anyone's part. The women's arias, men's chorus and a couple of rapturous duets between Ada and Inman offer melodic landmarks in a narrative-based score."
